[70] Following instructions in her will, Pierre Matisse buried urns containing Sage's and Tanguy's ashes in the water off the coast of Tanguy's native Brittany in 1964. Biography 1 8 9 8 - 1 9 6 3. [66] During 1960 and 1961, as a substitute for painting, she made small sculptures of wire, stones, bullets, and other unusual materials. See also. Born in 1898 to wealthy American parents in upstate New York, Sage spent most of her childhood and young adult years in Italy and France. [57], Sage did fewer new paintings after Tanguy died, partly because of her depression and partly because of her decreasing eyesight due to cataracts. 2886 ("Stephen Robeson Miller Research Papers about Kay Sage, 1898–1983"), cited in Suther p. 39. Miller, Stephen Robeson. See also. "[25], Sage moved to Paris in March 1937 and rented a luxurious apartment there. Le père et la mère d'Yves Tanguy sont d'origine bretonne. ケイ・セージ（Kay Sage、1898年 6月25日 - 1963年 1月8日）はアメリカの画家、詩人。 詩的・哲学的なテーマを扱い、幾何学的・建築的オブジェや無人の空間を特徴とする作品を制作したシュルレアリスムの画家として知られる。 夫は同じくシュルレアリスムの画家イヴ・タンギー [44], Although the Tanguys visited, and were visited by, many members of both the French expatriate and American art communities, such as mobile designer Alexander Calder and his family, they had difficulty keeping close friends. Biography. ‘‘Women Artists and the Surrealist Movement.’’ New York: Thames […] At this moment in time, Sage's career took a positive turn. "Tanguy, Connecticut, Sage.". Kay Sage. Jessie Sentivan is an independent art historian and curator. She was a second daughter of Henry Manning Sage, a businessman and a state senator, and Anne Wheeler Ward, a daughter of a physician. Letter from Kay Sage to Jehan Mayoux, February 5, 1955, AAA no. Just click the "Edit page" button at the bottom of the page or learn more in the Biography submission guide. [71], Kay Sage is known chiefly as a visual artist. Now he's waiting for me again - I'm on my way.". 100 Women Trailblazers. "Illustrated Catalogue Raisonne of the Surrealist Art of Kay Sage" on microfilm at the Archives of American Art, Smithsonian Institution, Washington, D.C., 1983, in which the works appear chronologically. As a painter, she successfully promoted the incongruity, strangeness, and complexity of self and her canvases are widely studied. She has held positions at the Williams College Museum of Art and the Arthur Dove Catalogue Raisonné Project, and was a contributing editor of the Hans Hofmann Catalogue Raisonné of Paintings. Danger, Construction Ahead fair use Kay Sage Date: 1940. It looks like we don't have any Biography for Kay Sage yet. She and Henry Sage divorced in 1908, but Henry Sage continued to support his ex-wife and younger daughter, and Kay visited him and his new wife in Albany occasionally and wrote him frequent letters.[3]. Sage had an elder sister, Anne Erskine Sage. Using her power of finance and charity, before she left Paris in October 1939, she arranged that Tanguy would arrive later, in 1940 in time for a show at the Pierre Matisse Gallery in December of the same year. She met a group of artists self-called Venticinque della Campagna Romana - The Twenty-Five of the Roman Countryside and joined them on their regular outings outside of Rome. Kay Sage | 1 Artworks | Artworks | WahooArt.com. Biography. As Judith Suther describes in her biography of Kay Sage, she never spent more than three years in a single institution. Le 8 janvier 1963, Kay Sage se suicide d'une balle dans le cœur après avoir achevé le catalogue raisonné des œuvres de son mari. Kay Sage committed suicide on 8 January in 1963. As historian Stephen Robeson Miller states, speaking of Sage, "the combination made for an unstable childhood". / Slide 2: “Tomorrow is Never” 1955 Oil on canvas 37 ⅞ x 53 ⅞ in. She was however still grieving and had become partially blinded by a failed cataract surgery. As a child she drew and wrote as hobbies,[7] but her first formal training in painting was at the Corcoran Art School in Washington, D.C., in 1919–1920. She exhibited six of her new oils in the Salon des Surindépendants show at the Porte de Versailles in the fall of 1938. Kay Sage, original name Katherine Linn Sage, (born June 25, 1898, Watervliet, near Albany, New York, U.S.—died January 8, 1963, Woodbury, Connecticut), American Surrealist painter and poet known for her austere and architectural style. Kay Sage (Tanguy), Surrealist artist - Biography and Gallery. After her parents divorced in 1908, Sage spent 161–162. https://www.theartstory.org/artist/sage-kay/life-and-legacy Her childhood was marked by frequent travel in Europe with her free-spirited mother, who divorced Sage’s father in 1908. There she learned to paint, and immersed herself in the thriving contemporary art scene. One exception was her statement to a Time magazine critic that The Instant, a painting that appeared in her 1950 show at the Catherine Viviano gallery, was "a sort of showing of what's inside—things half mechanical, half alive."[84]. People who knew her often said that they were friends of Tanguy but only acquaintances of Sage. By 1938, Sage had managed to get six 'Surrealist paintings' accepted into the Salon des Surindependants. Kay Sage 20th Century Surreal Paintings, Collages & Constructions (Albany, NY, 1898 - 1963, Woodbury) Kay Sage (1898-1963) was one of only a few women artists involved in the Surrealist movement. This biography is about the bizarre life of early 20th century American surrealist oil painter Kay Sage. She renders her forms in meticulous, photographic detail, using a gray-green-ochre palette that Tessier describes as "reminiscent of the sulphurous light before a thunderstorm". She published five volumes of mostly surrealist poetry that defied social and artistic conventions, but these have still not been rigorously researched or thus rediscovered. It was from 1937 though, she started to paint "seriously", in her own words in the surrealist vein. [82] Critics frequently called Sage's work disturbing or depressing, even when they praised her painterly skill. As with her own mother, she was expected to fulfill the social obligations of a high-ranking lady; there was no time for painting, not even writing. A member of the Golden Age and Post-War periods of surrealism, she is mostly recognized for her artistic works, which typically contain themes of an architectural nature. As Judith Suther describes in her biography of Kay Sage, she never spent more than three years in a single institution. Kay Sage : biography 25 June 1898 – 08 January 1963 Sage did little new painting after Tanguy died, partly because of her depression and partly because of decreasing eyesight due to cataracts.Suther pp. ©2021 The Art Story Foundation. MOURNING BECOMES ELECTRA. Sage hosted many dinners and parties but apparently remained very cold and distant, almost arrogant. [53], The relationship between Kay Sage and Yves Tanguy was as enigmatic as their art. Biographie. After spending time in San Francisco and Santa Barbara, Sage attended the Corcoran Art School in Washington, D.C. from 1919-1920, before moving to Rapallo, Italy in June of 1920. Her trademark was “the sulphurous light before a thunderstorm,” observed biographer Régine Tessier. Content compiled and written by Pich-Chenda Sar, Edited and revised, with Summary and Accomplishments added by Rebecca Baillie. She was active between 1936 and 1963. However, she also wrote five volumes of poetry, chiefly in French, including Faut dire c'qui est, in September 1959. Already in the 1940s, she had participated in two of the most important shows of these years: the First Papers of Surrealism exhibition in October-November 1942 organized by Andre Breton, and Exhibition by 31 Women in January 1943, curated by Peggy Guggenheim and held at her newly opened and revolutionary gallery, The Art of This Century. For much of her mature career, she labored under the shadow of her husband, Surrealist Yves Tanguy, who even today remains better known in the world of art. Sage would remain silent during these cruel undressings but was miraculously encouraged to paint even more. Henry remained in Albany while Anne traveled around multiple European cities to escape the duties of the spouse of a wealthy politician and businessman. Kay Sage in 1918 (Low Quality Scan) | More Details of Photo. Kay Sage American, 1898–1963 Men Working 1951 oil on canvas, 45 x 35 in. Mentions the author's illustrated Kay Sage Catalogue Raisonne, in which the works are arranged chronologically, on microfilm at the Archives of American Art (see below). She was the second daughter of a well-established family who had made their fortune in the Northwest timber industry. American painter and poet. American Surrealist artist and … Indeed, the two met and fell in love. In A House of Her Own, her 1997 biography of Sage, Judith Suther describes these works as "experimental abstract compositions. [27] She was especially struck by the paintings of Italian artist Giorgio de Chirico, which featured what Magdalena Holzhey, in a book devoted to de Chirico, calls "empty squares and receding depths, shadowy arcades and soaring towers. On her arrival in Paris, Sage anticipated introduction to the Surrealist group but wanted to paint more before revealing her work. Letter from Katherine Sage to Flora Whitney Tower, May 5, 1924, AAA no. [8] After she and her mother went back to Italy in 1920,[9] she studied art in Rome for several years, learning conventional techniques and styles. Her relationship with Tanguy however was very strong. Perhaps I wanted to peel off my hoodie and jeans that I was wearing despite the Arizona heat and jump in, as if the painting were a cool lake. It was really through her efforts that the project came to life and the book was published in 1963 with a preface written by her. Kay Sage. Kay’s elder sister was named Anne Erskine. Perhaps happy the first few years of this relationship, she quickly grew bored. She immediately set up plans to help the Surrealists immigrate as well and establish themselves in the new country by means of art exhibitions—starting with Tanguy, who joined her in New York City in November. 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